Their pleas are wasted on Jason, who delivers a final tirade to his family as the clock strikes midnight. After asking his family to wear masks with disfigured faces, the clock strikes midnight and upon their removal, they discover that their faces now look like their masks.

In 2009 the original episode was adapted as a graphic novel, "Rod Serling's The Twilight Zone: The Midnight Sun", by Mark Kneece and Anthony Spay. – it also gives the show a certain timelessness that more overtly stylised or visually ‘of the moment’ television lacks. Ida Lupino was known for making movies that commentated on the state of society and those who live under a specific social status. This reveal in "The Masks" is meant to represent the individual's outward appearance reflecting who they are internally. Jason is not shy about his opinions and openly insults each of them. Behind the camera, she found steady employment helming episodes of programs as diverse as Have Gun – Will Travel, The Donna Reed Show, 77 Sunset Strip, The Untouchables, The Fugitive, Bewitched, Gilligan’s Island and The Twilight Zone’s cousins Alfred Hitchcock Presents and Thriller from the mid-1950s through to the late 1960s.

Viewers with an eye for detail may likewise appreciate the physical attributes of Keith, whose raspy voice, skeletal visage, and emaciated body serve to outwardly reflect Jason’s impending death.

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Subscribe to Senses of Cinema to receive news of our latest cinema journal.Enter your email address below: Credit for the genius of the original series of The Twilight Zone is routinely attributed to its droll, visionary chain-smoking architect Rod Serling – a 1950s equivalent of today’s Social Justice Warrior, who saw television fantasy as a vehicle for social commentary – and a select few of its hired fantasist scribes, among them Richard Matheson and Charles Beaumont. | He dons a skull mask, saying that it represents death as opposed to his life. After dinner, the family gathers in Jason's study where he instructs them to put on special one-of-a-kind masks, which he says are "crafted by an old Cajun". However, for Jason Foster, there is very little celebration, as he is close to death's door. The movie follows the Le Domas family and their sadistic tradition of playing a game that's dictated by the spirit of a man named Le Bail, who supposedly played a hand in starting their family's dynasty. A page for describing Analysis: Twilight Zone S 5 E 145 The Masks. Ready Or Not features an Easter egg to The Twilight Zone's iconic season 5, episode 25, "The Masks", which has a deeper meaning than just symbolism. But did you know that spoilers are actually good for you? The word “play” deserves some emphasis here, both for the show’s playfulness and its innate theatricality.
Tagged: anthology, fantasy, live action. Others may also take issue with the main characters, who, perhaps intentionally, come across as simple caricatures rather than complex and relatable human beings.

The family members remove their masks and find that their faces now match the masks; their inner monsters have come to the surface! Each of the masks is meant to reflect some aspect of their personality - and leave a lasting impression on them. "The Masks" was the first and only episode of The Twilight Zone that was directed by a woman.

The Twilight Zone: “The Masks” (1964 USA 25 mins), Prod: Bert Granet Dir: Ida Lupino Scr: Rod Serling Phot: George T. Clemens Ed: Richard V. Heermance Mus: Marius Constant, Cast: Robert Keith, Virginia Gregg, Milton Selzer, Brooke Hayward, Alan Sues. This is the dimension of imagination. As a form of revenge, he makes them wear the masks that make their outward appearance permanently reflect who they truly are on the inside. Using grotesque imagery to convey a moral lesson, “The Masks” is a haunting episode of The Twilight Zone. Mardi Gras incident, the dramatis personae being four people who came to celebrate and in a sense let themselves go. What we have is a man who has long given up on his family and survives on this veneer of nastiness, but we see the reactions of others, and we know how much of a cover it is. They know Jason very well, and they clearly show far more respect for him than for his misbegotten family. He has been taken advantage of for his wealth, and left to wither away without them by his side. (Alan Sues was never one of my favorite actors, but he’s good in this in a shallow way.). “The Masks” is consistent with this aesthetic, and while this style and the passage of time age the episode somewhat – as does the casting of the clearly middle-aged Alan Sues as high school whippersnapper Wilfred Jnr. Episodes like this one are so short, and yet so wordy! Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pocket (Opens in new window), Click to email this to a friend (Opens in new window). Sorry, your blog cannot share posts by email.

Come and geek out with us over at Required fields are marked *. "The Masks" A dying man demands his family don grotesque masks. They reluctantly concede and put on their masks. Series: Twilight Zone We don't have an article named Analysis/ …

An old man on his deathbed forces members of his family to wear creepy masks until midnight.

He currently teaches at the Australian National University. Except, when Ready Or Not's Easter egg to "The Masks" is taken into account, it reveals that the spirit was instead awaiting the ideal person to take down the Le Domas family. But a lot of  the episode felt empty.

Once midnight strikes, the old man dies. When he chose the game of hide-and-seek for Grace, he did so because he felt that she could take them down once and for all, and deserved to be the one to do it.

It reminded me of Where is Everybody? Dr Ben Kooyman studied at Flinders University and has published extensively on Shakespeare, film, comics, and Australian cinema. A transit cop plans to steal from a money train to pay off his gambling debt. Cast: Robert Keith, Milton Selzer, Virginia Gregg, Brooke Hayward, Willis Bouchey, and Alan Sues. he says as he dies. Original air date: March 20, 1964. Notify me of follow-up comments by email. Inexact title. Though somewhat justified, Jason will likely evoke criticism for his spiteful and malicious final deed. https://en.wikipedia.org/w/index.php?title=The_Masks&oldid=973785365, The Twilight Zone (1959 TV series season 5) episodes, Television episodes written by Rod Serling, Short description is different from Wikidata, Television episode articles with short description for single episodes, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 August 2020, at 05:45. Those who know him, his true friends, do see and know the real Jason Foster. It originally aired on March 20, 1964 on CBS.

In “The Masks”, the assembled family project false personas, wearing metaphorical masks before donning literal ones that expose and embody their true toxicity.

Besides, a million dollar windfall (or whatever) can buy a lot of plastic surgery…. I don’t know if that was part of the script or Selzer adding a little something that wasn’t there, but it gives him far more of a characterization than the rest of the actors. Parents Guide, Favorite Original "Twilight Zone" Episode. Taglines October 2018.
Get it away from me! I spoil (near) everything in my reviews. It is also the Twilight Zone. That is what they get for being selfish and stupid. Rod Serling fans and classic horror buffs will therefore enjoy this episode, which contains a dark and penetrating study on the human condition. He says he has a special Mardi Gras party planned for the group that night. Ready Or Not and The Twilight Zone episode share more than just a prop, they also share a similar story that provides clever social commentary underneath.

But the most interesting thing about The Masks is some of the chatter I’ve seen online, that maybe the old man was the real horrible person and that the family didn’t deserve their (permanent?) If you enjoyed this post, please enter your email address in the subscription box to stay tuned for more updates. As the hours tick by, all four beg to be allowed to take off the masks, saying that they are unbearable.

On the other hand, Ready Or Not's Le Bail assisted the Le Domas family in gaining their wealth through board games.

The go-to source for comic book and superhero movie fans. It is a dimension as vast as space and as timeless as infinity. While the denouement of the episode will be predictable to modern audiences weaned on anthology shows with ‘gotcha’ endings in The Twilight Zone tradition – not to mention movies predicated on twist endings, from the work of M. Night Shyamalan to Saw (James Wan, 2004) – there’s still much pleasure to be derived from Serling’s Gothic morality play. Average, nothing special but inoffensive. Notice the slight laugh from Dr. Thorne in Jason’s first scene and Geoffrey’s smile when he goes to get the masks. Decade: 1990s Using grotesque imagery to convey a moral lesson, “The Masks” is a haunting episode of The Twilight Zone. The Twilight Zone Episode 145: The Masks. It is Mardi Gras time in New Orleans.

Once dinner is finished, Jason reveals that he has a surprise for them all: he has prepared a series of masks for everyone to wear, fashioned by an old cajun. Foster agrees to bequeath them his fortune on one condition: that they each wear a mask for the duration of Mardi Gras eve. Notably, family members Wilfred (Milton Selzer), Emily (Virginia Gregg), Paula (Brooke Hayward), and Wilfred Jr. (Alan Sues) are required to wear special masks throughout the evening—with a horrifying result.

The Twilight Zone Episode 145: The Masks April 15, 2018 2 Comments An old man on his deathbed forces members of his family to wear creepy masks until midnight. "The Masks" is considered by man people to be one of the better episodes of The Twilight Zone ever made.

"Without your masks, you're caricatures!" All the latest gaming news, game reviews and trailers. Synopsis Your email address will not be published. Related: Why Black Mirror Is Better Than The Twilight Zone Reboot. This is New Orleans, Mardi Gras time. The four rejoice in their newly inherited wealth and unmask, but discover to their horror that their faces now conform to the hideous features of the masks.


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