Chaney was well liked by some co-workers – "sweet" is the adjective that most commonly emerges from those who acted with, and liked him – yet he was capable of intense dislikes. But he was also aware that the famous name could help his career, and so he kept it. He had a small role in an Abbott and Costello comedy Here Come the Co-Eds (1945), then made more Inner Sanctums: The Frozen Ghost (1945) and Strange Confession (1945).

Chaney had English, French, and Irish ancestry, and his career in movies and television spanned four decades, from 1931 to 1971. However, as a young man, even during the time of his father's growing fame, Creighton Chaney worked menial jobs to support himself without calling upon his father. Learn how and when to remove this template message, "Lon Chaney Jr., Actor, Is Dead at 67; Portrayed Monsters", "Film Threat – The Bootleg Files: Tales Of Tomorrow – Frankenstein", Interview with Ron Chaney, including references to Lon's book, Palm Springs Walk of Stars by date dedicated, Official website from Chaney Entertainment, Chaney Jr. His grandson, Ron Chaney Jr, was working on completing this project.[12]. In the 1960s, Chaney specialised in horror films, such as House of Terror (1960), The Devil's Messenger (1961) and The Haunted Palace (1963), replacing Boris Karloff in the last of those for Roger Corman. SAN CLEMENTE, Calif., July 13 (AP)—Lon Chaney Jr., the film actor, died yesterday at the age of 67.

Mr. Chaney, who was 6 feet 3½ inches tall and weighed 225 pounds, played many monsters. [15], In 1999, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.

They would frequently clash. He made a second mummy movie, The Mummy's Ghost (1944) and had a support part in Cobra Woman (1944), starring Maria Montez and Ghost Catcher (1944), with Olsen and Johnson. [6] He was cast in that role in the film Of Mice and Men (1939), which was produced by Hal Roach Studios. According to. He studied makeup at his father's side, learning many of the techniques that had made his father famous. A kinescope of the January 18, 1952 broadcast is available on DVD, YouTube, and also open to the public for viewing at The Paley Center for Media in New York City and Los Angeles. Never as versatile as his father, he fell more and more into cheap and mundane productions which traded primarily on his name and those of other fading horror stars. Services for Lon Ralph Chaney were pending Thursday. Universal kept him in supporting roles for a while: a comedy Too Many Blondes (1941), a musical San Antonio Rose (1941), a serial Riders of Death Valley (1941), the Western Badlands of Dakota (1941) and the "Northern" North to the Klondike (1942). I am most proud of the name Lon Chaney.
Pictured on one of a set of five 32¢ US commemorative postage stamps, issued 30 September 1997, celebrating "Famous Movie Monsters". Ron Chaney, a 38-year-old California contractor who bears little resemblance to his Wolf Man grandfather, is more inspired than ever to finish a book begun by Lon Chaney Jr. about the family.

(1940) as Victor Mature's caveman father, Chaney began to be viewed as a character actor in the mold of his father. Other actors honored in this set of stamps, and the classic monsters they portray, are Lon Official Sites, Often played hulking monsters or victims of mad scientists, Often played sympathetic or tormented characters, Frequently portrayed father figures, particularly in his later years, Was a friendly person, despite playing many villains in horror movies, Friendly teddy bear face with heavy eyebrows. Body cremated, ashes scattered.

By WILLIAM M. FREEMAN While Lon Chaney Jr. was in the shadow of his famous father, who played the title roles in the movies “The Hunchback of Notre Dame” and “The Phantom of the Opera,” he built a massive reputation of his own. He was not able to make much use of these skills due to strict union rules. In later years, he suffered from throat cancer and chronic heart disease among other ailments after decades of heavy drinking and smoking. Television appearances are listed separately.

Like his father, he would spend six or seven hours in make‐up preparation and became known as a perfectionist in make‐up detail. In that film, he was Lennie, stupid, unable to care for himself, protected by Burgess Meredith as George. Battled throat cancer and heart disease in later years. He had the lead in A Scream in the Night (1935) made for Commodore Pictures, a crime thriller. Roger Smith was cast as Creighton as a young adult. He had the lead in the independent film Sixteen Fathoms Deep (1934) and a small part in Girl o' My Dreams (1934) at Monogram.
He played number of supporting parts before a producer in 1935 insisted on changing his name to Lon Chaney Jr. as a marketing ploy. The Daltons Ride Again (1945) was a Western. When he died from a variety of causes in 1973, it was as an actor who had spent his life chasing the fame of his father, but who was much beloved by a generation of filmgoers who had never seen his father. He also had two sons, Ronald and Lon Jr., by a former marriage, and nine grandchildren. "The Psychotronic Encyclopedia of Film".

The film was Chaney Jr's first major role in a film and was a critical success for him. Everything You Always Wanted to Know About Sex * But Were Afraid to Ask, View agent, publicist, legal and company contact details on IMDbPro. American character actor whose career was influenced (and often overshadowed) by that of his father, silent film star Lon Chaney. Creighton Tull Chaney (February 10, 1906 – July 12, 1973), known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard (Dracula spelled backward), Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films. Chaney established himself as a favorite of producer Stanley Kramer; in addition to playing a key supporting role in High Noon (1952) (starring Gary Cooper), he also appeared in Not as a Stranger (1955)—a hospital melodrama featuring Robert Mitchum and Frank Sinatra—and The Defiant Ones (1958, starring Tony Curtis and Sidney Poitier). [11] Chaney had lines in The Female Bunch but his hoarse, raspy voice was virtually unrecognizable. That goes for my father, [.

A small outfit, Ray Kirkwood Productions, gave him a lead, The Shadow of Silk Lennox (1935). Creighton's life changed forever when his father was diagnosed with throat cancer and died on August 26, 1930, at the age of 47.

The trouble with most of the monster pictures today is that they go after horror for horror's sake. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Always, however, there was the desire to follow in his father's footsteps. It was only after his father's death that Chaney began to act in films, billed by his own name. In his final horror film, Dracula vs. Frankenstein (1971), directed by Al Adamson, he played Groton, Dr. Frankenstein's mute henchman. His bread-and-butter work during this decade was television – where he made guest appearances on everything from Wagon Train to The Monkees – and in a string of supporting roles in low-budget Westerns produced by A. C. Lyles for Paramount. Stanley Kramer said filming 1955’s “Not as a Stranger” with, from left, Lon Chaney Jr., Robert Mitchum, Broderick Crawford and Frank Sinatra was “10 weeks of hell.” Getty Images [3] He played small roles at Paramount: Hold 'Em Yale (1935), Accent on Youth (1935) and Rose Bowl (1936).

|  A long series of illnesses had put Mr. Chaney in and out of hospitals for the last year. It was not until “Of Mice and Men,” made in 1939 and released in 1940, that he achieved full stardom. The reason given for this, was due to the actor's problem with alcohol.

Creighton was born in Oklahoma City, Oklahoma Territory, the son of then-stage performer Lon Chaney and Frances Cleveland Creighton Chaney, a singing stage performer who traveled in road shows across the country with Creighton.

Was possibly not as tall as is often reported. |  Ron Chaney is the great grandson of Lon Chaney Sr. and the grandson of Lon Chaney Jr. and it has long been one of his goals in life to honor the legacy these two men have left in …

However, according to his son Lon Ralph Chaney as well as Cleva's daughter by her second marriage, Stella George, the story is complete fiction.

He wanted to reprise his father's role of Quasimodo in, Like his father, Chaney created his own make-up for the role of Akhoba in, He made headlines in the 1960s when he criticized "Fractured Flickers" for desecrating old film classics like his father's. From his father, he developed skills as a makeup artist.

He was in a crime film, Eyes of the Underworld (1942) and the wartime shorts Keeping Fit (1942) and What We Are Fighting For (1943). Creighton, who had begun working for a plumbing company, married Dorothy Hinckley, the daughter of his employer Ralph Hinckley.

"Had to do stuntwork to live. Publicity Listings After a cameo in Crazy House (1943) he was given the lead in Calling Dr. Death (1943), based on the Inner Sanctum mysteries.

Mrs. Chaney, his wife of 36 years, declined to disclose the cause of death or to tell the funeral plans.

Chaney was uncomfortable with the ploy and always hated the "Jr".

Over at Mascot Pictures he supported John Wayne in a serial, The Three Musketeers (1933), which was later re-edited into a film entitled Desert Command (1946). Dead Man's Eyes (1944) was the third Inner Sanctum, after which he was back as the Wolf Man in House of Frankenstein (1944). His father took him outside to an ice-covered lake, broke the ice and put him into the ice-cold water to jump-start his breathing.

He was a henchman in a serial for Republic, Undersea Kingdom (1936). The actor once said how his father did all he could to dissuade him from following in his professional footsteps.

His relationship with his father over the years, was described as distant at best. He began with an uncredited bit part in the serial The Galloping Ghost (1931) and signed a contract with RKO who gave him small roles in a number of films, including Girl Crazy (1932), The Roadhouse Murder (1932), Bird of Paradise (1932), and The Most Dangerous Game (1932). Originally referenced in films as Creighton Chaney, he was later credited as "Lon Chaney, Jr." in 1935, and after Man Made Monster (1941), beginning as early as The Wolf Man later that same year, he was almost always billed under his more famous father's name as Lon Chaney at the studio's insistence. ( 0 ) Leave a comment [1] He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies. He was forced into tbem.”.

There was also horror, such as Dr. Terror's Gallery of Horrors (1967) and Hillbillys in a Haunted House (1967). He is shown as the title character in The Wolf Man (1941). He later made Charlie Chan in City in Darkness (1939) and Frontier Marshal (1939).

Mr. Chaney once told an interviewer: “All the best of the monsters were played for sympathy.


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