Future Publishing Limited Quay House, The Ambury,

3.85 151 votes: 05 : Synovial Songs of Silver.

For those never tried Vader before, Solitude in Madness is a great place to start.

3.78 44 votes: 05 : Burden of Life The Makeshift Conqueror. The LP was recorded by Bannon’s Converge bandmate Kurt Ballou, so one thing was for certain: the guitars were going to sound massive and remarkably polished.

While the concert industry is at a standstill, a steady stream of albums continue to be released, and we’ve seen a number of stellar LPs in the first half of 2020. In a year that has taken a heavy toll on us emotionally, physically, and economically, the heaviest genre of music has come through in a big way. What we said: “Makes a strident case for Lipa as a pop visionary.” Read the full review. It’s not always easy to define a ‘perfect’ record, but you have to ask yourself what you want from a heavy band in 2020. Louder is part of Future plc, an international media group and leading digital publisher. 3.81 26 votes: 06 : Counterparts N.L.T.L.

England and Wales company registration number 2008885. Should Saturday Night Live Replace This Actor as Joe Biden? This promise has finally come to fruition. There’s shaken-up pop from Rina Sawayama, searching rap by J Hus and Jay Electronica, and invention everywhere from KeiyaA’s soul to Beatrice Dillon’s electronics, Mon 11 May 2020 01.00 EDT But it’s put to such superbly squalling ends, resulting in the breakthrough of one of the best British indie-rock bands in ages.

Now, more than 20 years into their career, Lamb of God’s consistency is impressive.

After a long hiatus in the middle of the decade, Fracture is a loud signal that Bleed From Within’s comeback is to be taken incredibly seriously.

Irrational Pull does more than enough to keep our thirst for new hardcore alive. What we said: “A marvel … this album is a masterpiece.” Read the full review. What we said: “Does what all good jazz does; it carries on a musical discourse which it invites you to follow. Origin: Olsztyn, PolandRelease Date: May 1st. Apple’s prettily meandering piano can at first seem benign, even whimsical, but this album – already being regarded by many as her masterpiece thus far – is full of thrilling nicks and cuts.

Welcome to the future.

What we said: “Heavy Light confirms a major talent.” Read the full review. —TJ Kliebhan. © 2020 Guardian News & Media Limited or its affiliated companies. it’s  a visionary, fully-realised assault on the senses that heralds the arrival of a bold new variation on metal.

in the first few months of 2020, but some things haven’t changed. Marling’s songwriting just gets deeper, more confident and better with every release: here, she shares Joni Mitchell and Cat Power’s poetically observational powers over warm-boned arrangements.

Not only is it their second album in as many years; it also marks a creative high for these rejuvenated aggressors. –Spencer KaufmanManaging Editor, Heavy Consequence, Origin: Richmond, VirginiaRelease Date: June 19th.

A trans, trap-metal rapper born in Zambia but based in Montreal since the age of 17, Ashanti Mutinta has crafted, with her third album, a sound that blends her loves of hip hop, industrial and metal in a way that sounds unlike anything else you’ll hear this year.

Here, we celebrate the Top 20 Metal Albums of 2020 (So Far). Wormhole is doomy, Sabbath-like sludge, whereas Colossus is a lumbering ’Knot-esque chug that sees the band find a new groove, amid filthy electronics and a ghastly Circus Of Horrors chorus. Pick up Umbra Vitae’s Shadow of Life here. 20. Silence In The Age Of Apes and Child continue the vibe, the former combining fiendish riffery with the band’s System Of A Down-style idiosyncrasies and death metal influences.

An imaginative retelling of the Frankenstein myth, Franckensteina Strataemontanus ties in timeless themes from Mary Shelley’s 1816 original with the alchemical experiments of occult physician Johann Dippel (the novel’s possible inspiration), plus a 1920s German serial killer, a British military campaign of WWII and a particularly cruel 13th-century Holy Roman Emperor. 3.87 51 votes: 02 : Mors Principium Est Seven. There was a problem. Available for everyone, funded by readers. Katie Crutchfield calms the indie-rock squall of earlier albums to ponder her life in the bright, clear light on the other side of rain, and, leaning more towards Americana, creates an instant classic of US songwriting. Scientists name new fossil species after Rotting Christ, Black Stone Cherry seize life with both hands on new album The Human Condition, The history of the 1980s in 100 metal and rock songs, Maynard James Keenan plays Led Zeppelin, Pink Floyd, Kiss and King Diamond albums to his grapes, The Chris Fehn Vs. Slipknot legal case has been settled.

Bath Since then, the band have welcomed new singer Laura Guldemond into their coven, and her histrionic snarl gives glam-smeared tracks like Dance With The Devil and Lucid Nightmare an edge that could cut steel.

As well as post-bop and spiritual jazz, there are boom-bap beats, Tortoise-y doodles and various other singular moods. What we said: “A warm, fresh intimacy that feels welcome in a world of Zoom meetings and FaceTime catch-ups.” Read the full review. Origin: Los AngelesRelease Date: June 5th. Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox! Each song on Obsidian is a pop-metal confection with pitch-black icing and a little razor hidden inside. Where Bury Tomorrow raised the bar for themselves throughout with 2018’s blood-curdling Black Flame, Cannibal sets it ablaze.

The result is a stunningly rich, beautiful tableau of personal and social liberation, that just keeps on unspooling.

On this album, The Ghost Inside don’t dwell on the tragedy but rather bask in positivity on what is musically a logical follow up to 2014’s Dear Youth.

The riffs will have you closing your eyes in sheer bliss.

3.77 62 votes: 07 : Loathe (UK) I Let It In And It Took Everything. 3.86 44 votes: 03 : Embodiment Palingenesis. The group’s debut album, Shadow of Life, promised death metal riffage and a frenetic metalcore atmosphere. Thirteen years after his breakthrough, Jay Electronica’s debut album was worth the wait, and then some. The Gist: The United Kingdom’s Paradise Lost have mastered a multitude of styles since their inception 30 years ago. By With its strong songwriting and presentation, Lamb of God stands out as one of the finest metal releases of the first half of 2020, and one of the band’s best albums ever. Their latest, Obisidian, touches on every stylistic choice the band’s made while maintaining a core identity all its own.

Fall Away edges on thrash territory, while the bridge of A Depth That No One Dares is deliciously blackened by its blastbeats and shrill screams. Into Nothing is pure groove metal, flaunting an energetic bounce throughout. And it’s fucking brilliant. This is not to say the band avoids the topic completely on blasting songs like “Still Alive” and “Aftermath”, they simply approach the subject with the same upbeat message for which the band is known.

The Gist: The godfathers of Polish death metal never disappoint, and Vader’s Solitude in Madness is as consistent and satisfying as any of their records, albeit with maybe their fiercest production job yet. From the culture-shaking event that was Fetch the Bolt Cutters to the lesser-known records we’ve fallen in love with this year, here are the best indie rock albums of 2020 so far.



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