Katz: In LA—whatever just transpired last month, you feel it in LA. You could tell that they wanted to be great.

As for the 2018 Oscar race, movies like Lady Bird, The Disaster Artist, The Florida Project, and The Killing of a Sacred Deer are garnering serious buzz for various Oscar categories. Katz: It was early in the relationship. ... A24’s open floor plan in the industrial 19-story building where it is housed, fosters an atmosphere of inclusion. And it was like a snowy and rainy day, and there was a ton of traffic.

Villeneuve: If my memory’s good, I was amongst their, not their first movies, but they were a young company at the time. Films like "Midsommar" surely do, which A24 promoted in part by creating a '90s-esque commercial for a "Bear in a Cage" toy, which is remarkably twisted if you've seen the film. “That plays all the way down to our interns,” Patrone-Werdiger says. ), "They definitely invest in filmmakers," Frizzell said. Read Next: Lionsgate Earnings Top Wall Street Estimates While Revenues Fall, Power of Women: Amy Pascal Supports Teenagers in Crisis With Teen Line, Catherine Hardwicke: Despite ‘Twilight’ Success, It Hasn’t Been an Easy Road, 'The Masked Singer' Reveals the Identity of the Squiggly Monster: Here's the Star Under the Mask, Warner Bros. Apologizes After ‘The Witches’ Sparks Backlash From People With Disabilities.

No film is too crazy for A24. Robert Pattinson, a muti-time collaborator with A24, exclaimed that they’re the first company to “abandon a lot of the old models.”. Harmony Korine (director, ‘Spring Breakers’): They have balls. “They saw a way to reach both an art house audience and a popcorn movie audience. But it was word of mouth. Sacco, 26, hunts down potential hits for the film distribution company, which is backed by Guggenheim partners out of NYC. Garland: I didn’t know what Tinder was until the festival. I won, I think, L.A. Film Critics and maybe one other. “The New York to L.A. (visits) are always sort of like calendar Tetris,” Sacco says. Probably the best place to screen-test the movie. And we’ve been so consistent about thanking them. The chatbot would turn people towards the movie, making Ex Machina the festival’s hot ticket. Miramax, they were a huge deal, and also Fox Searchlight. I kept calling the guy. The director is now in the midst of working with A24 on the fantasy epic "Green Knight," a film based on a 14th-century poem he read in college that he "didn't think anyone in a million years would finance because of its weirdness." We were watching it the whole time. "I could see them getting out of the film business entirely and just opening a bunch of cinema cafes," Jenkins said. Apparently, it’s also who far too many of us are as Californians. But when you put a small fish like this film, like me, into this wide ocean of content, we get lost, you know? Companies : A24 Films. It’s exciting. Then came A24, the New York-based company whose head of acquisitions and production, Noah Sacco, "just believed in the movie". Noah Sacco. And so anytime you speak with someone who’s not a pure accountant, is not a pencil pusher? With nary an executive suite in sight and no management hierarchy immediately apparent, the scene, more Pinterest than Paramount, calls to mind a Silicon Valley start-up, not the kind of corporate complex where moviemaking decisions typically get made. I thought their whole approach was smart.”. Annapurna Pictures/courtesy Everett Collection, Moonlight’s Mahershala Ali Picks His Own Oscar Winners. So far this year, Sacco has spent 11 days at Sundance, 11 days in Berlin, and a week at SXSW.

Instead, he said, "They were like, 'Alright, cool, go with God.' [laughs] I mean, I doubt that, because I know the people that work there. But we got A Glimpse Inside the Mind. It’s always exciting when someone’s starting something new.”. I think what they’ve understood is there’s a sufficient number of people out there who want more challenging or different material. “For us on ‘Spring Breakers,’ it was the spine of the campaign. They all made their names working for other “prestige” distributors like Focus Features and Paramount Vantage, ingraining within them a love for independent film. There’s aesthetic and political values to the people behind the company. It was a trending topic on Twitter for several weeks and had about 600,000 Facebook likes before it set per-screen attendance records its opening weekend and clocked the biggest premiere of a movie in limited release this year. Katz: Maybe even greater. These movies are designed to push buttons and/or boundaries as each filmmaker sees fit, resulting in projects that are sometimes outwardly risky and at other times deceptively so. Five Reasons to Add ‘Kill, Baby…Kill!’ to Your... ‘Female Vampire’ is the Worst Kind of Movie. In between, A24 went from being a tiny, disorganized room of eight or so people to being the place where big stars like Robert Pattinson and Scarlett Johansson go to make small, strange movies, and auteurs like Jonathan Glazer and Denis Villeneuve go to make deeply personal films unmolested by studio notes or clueless executives. And then you meet Barry and hear Barry talk, and it’s like, “Of course! So I think they were hoping, and discovering, that they might be able to do that with The Witch. But, after failing to acquire films like The Place Beyond the Pines, the founding members of A24 left empty-handed. Fenkel: One thing we notice is now people are saying, “Oh, good job. The boyish-looking executive, who lives in Brooklyn, started at the West Chelsea-based A24 not long after the company was founded last April by John Hodges, David Fenkel and Daniel Katz. It was crazy. I think we lost control. Fenkel: We knew we were releasing the movie.



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